Exhibition Catalogues and Books
2011
Michael Fried, Four Honest Outlaws: Sala, Ray, Marioni, Gordon, to be released in June
2004
Michel Fehr, Sanford Wurmfeld, eds., Seeing RedOn Nonobjective Painting and Color Theory, Cologne, Germany.
Lars Muller, Etre. Les droits de l'homme à travers l'art, United Nations Office, Genève, Switzerland.
Barbara Rose, Monocromas de malevich al presente, Centro de Art Reina Sofia, Madrid, Spain.
2003
Stephen Addiss, Joseph Marioni IRO, Amarillo Museum of Art, Texas, USA.
The Spirit of White, Galerie Beyeler, Basel, Switzerland.
2002
Hannelore Kersting, Illustrations and Comments, Städtisches Museum Abteiberg, Mönchengladbach, Germany.
Ann Gibson, "Things in the World: Color in the Work of U.S. Painters During and After the Monet Revival", Monet and Modernism, Kunsthalle der Hypo-Kulturstiftung, Münich, Germany.
Reinhold Hohl, "Monet Abstract: Monet in Retrospective", Claude Monet... up to digital Impressionism, Fondation Beyeler, Zürich, Switzerland.
Joseph Marioni,"Painting Color", Joseph Marioni - Blue Paintings, Howard Yezerski Gallery, Boston, Massachusetts, USA.
2001
Roland Nasgaard, Pleasures of Sight and States of Being: Radical Abstract Painting Since 1990, Appleton Museum Of Art, Ocala, Floride, USA.
Blasser Schimmer - A Pale Gleam, Sammlung Mondstudio Collection, Cologne, Germany, Gimlett Verlag.
Andrew McNamara, "Monochromes: The Beautiful Sublime", Monochromes, University Art Museum ,The University of Queensland, Brisbane, Australia.
2000
Dr. Johannes Meinhardt, "monochrome as a painting breakdown and breakpoint" Marina Kakarian, The Tao Of Painting Principles In Monochrome, The McKinny Avenue Contemporary, Dallas, Texas, USA.
A Decade Of Collecting, Harvard University Art Museums Bulletin, Catalogue Volume 7, no. 2, Cambridge, Massachusetts, USA.
"The color (red) has me", An exhibition of contemporary 'non object' painting, Karl Ernst Osthaus- Museum, Hagen, Germany.
David Pestorius, "A Room Of Four Paintings" ; Rex Butler, "The Touch Between The Optical and Material", Joseph Marioni, "Four Paintings", Queensland Art Museum, Brisbane, Australia.
Whitney Biennial 2000, New York, USA.
Ruhrberg, Schneckenburger, Fricke, Honnef, ART of the 20th Century, Taschen, Köln, Germany.
1999
Stefan Kraus, "Body As Paint, Color Of Light" ; Katharina Winnekes, "I'm Not Making A Religious Picture", Joseph Marioni "Triptych", Diözesanmuseum, Cologne, Germany.
Joseph Marioni, Columbus Museum of Art, Columbus, Ohio, USA.
Landschaftsmalerei Heute, Suermondt-Ludwig-Museum, Aachen, Germany.
1998
Carl Belz, "In The Studio" ; Barbara Rose, "Man As Measure", Joseph Marioni, Paintings 1970-1998, Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA.
1997
Georg Imdahl, "Color Drawings", Joseph Marioni, Works On Paper, Galerij S65, Aalst, Belgium.
Sonja Overbeeke, "Shoes or No Shoes?", From the collection Bogaerts and Swenters, De Vishal rumte voor beeldende Kunst, Haarlem, The Netherlands.
Ralf Kulschewskij, "O. Eine kleine Geschichte der Avantgarde-Kunst in Oberhausen. Oh!--berhausen?", Oberhausen Zentrum Altenberg 1982-1997, Verein fur aktuelle Kunst/Ruhrgebeit e.V.
Monochrome Malerei, [Zur Unterschiedlichkeit des vermeintlich Ahnlichen], Verlag für moderne Kunst, Nurnberg, Germany.
1996
Erich Franz, "In Quest Of The Absolute, Malevich, Mondrian, Newman, Reinhardt, Rothko, Marden, Ryman, Martin, Federle, Marioni", Peter Blum Editions, New York, New York, USA.
Johannes Meinhardt, "Secularized Modernity" ; Ingvild Goetz, "Interview with Joseph Marioni", catalogue de l'exposition, Monochromie Geometrie, Sammlung Goetz, Munich, Germany.
Jochen Poetter, "Proximity and Distance" ; Charles Altieri, "Sighting Joseph Marioni", catalogue de l'exposition, Joseph Marioni, Private Icons, Staatliche Kunsthalle Baden-Baden, Germany et Kunstmuseum St. Gallen, Switzerland.
1995
Stefan Gronert, "Open End: Image and Language by Joseph Marioni", Joseph Marioni, Weiner Secession, Vienna, Austria.
Gabriele Uelsberg, "Die blaue Blume im Rot von Marioni, zur Romantik der ungegenstandlichen Malerei", Romantik in der Kunst der Gagenwart Sammlung Murken, Ludwig Museum, Aachen, Germany.
1994
Joseph Marioni, "Noting Color Sense and Non-Sense", Joseph Marioni Painter, Gallery S65, Belgium.
Christian Kravagna, "Joseph Marioni" ; Statement - Joseph Marioni, Die Erste Sammlung, Akademie der bildenden Kunste, Vienna, Austria.
Die Moderne Oder Die Uberwindung Eines Begriffs, Hochschule fur angewandte Kunst in Wien, Vienna, Austria.
Justus Jonas, "The Painting of Fluid Color and the Tradition of Concrete Art", Joseph Marioni, Painter ,1988, Städtisches Museum Abteiberg, Mönchengladbach, Germany.
1993
Kasper Konig and Hans-Ulrich Obrist, Statement - Joseph Marioni, Der Zerbrochen Spiegel, Positionen zur Malerei, Vienna, Austria, Hamburg, Germany.
1991
Reinhard Ermen, Rainer G. Rodnick Marchia Hafif, Michael Hubl, Malerei Pur, Gesellschaft fur Akustische Lebenshilfe, Kiel, Germany.
Georg Imdahl, "Die Selbstentfaltung der Farbe", Joseph Marioni, Erik Saxon, Günter Umberg, Ulrich Wellmann, Kunstverein Arnsberg, Arnsberg, Germany.
Bernd Growe, "Farbe ereignet sich", Malerei, Badischer Kunstverein Kalruhe, Kalruhe, Germany.
1990
Max Gimblett, "Objects of Alchemy", Artis Gallery, Auckland, Nouvelle-Zélande.
Jerry Zeniuk, "Bilder Paintings 1971-1989", Kunsthalle Bremen, Bremen, Germany.
1989
Joseph Marioni, Painter, Galerij S65, Aalst, Belgium.
Malerei, Det Radikale Maleri, Kongelige Danske Kunstakademi, Copenhagen, Danemark, Freddie A. Lerche.
Joseph Marioni, "Noting Color/Sense and Nonsense", ROLF RICKE, Verlag der Buchhandlung.
Reinhard Ermen, "A Radical Conservative", Musée d'Art Moderne, Saint-Etienne, France.
Walther Konig, 1989,ed. Marianne Stockebrand, Cologne, Germany.
Henry Staten, "Deconstructing Figurality: on 'Radical Painting'", "Günter Umberg", ed. Dr. Hannelore Kersting, Cologne, Germany, Verlag der Buchhandlung Walther Konig.
1988
Joseph Marioni, Painter; réédité en 1994, Dr. Hannelore Kersting, Städtisches Museum Abteiberg, Mönchengladbach, Germany.
Peinture Radicale, La Criée, Rennes, France.
Thierry Raspail, "La Couleur Seule, L'Experience du Monochrome" ; Statement - Joseph Marioni, La couleur seule. L'experience du monochrome, Musée St. Pierre, Lyon, France.
Matthias Bleyl, "Wege zur Kunst nach 1945", Essentielle Malerei In Deutschland, Verlag fur moderne Kunst, Nurnberg, Germany.
1986
Outside The Cartouche, Joseph Marioni/Günter Umberg, Zur Frage des Betrachters in der radikalen Malerie, Neue Kunst Verlag, Munich, Germany.
Die Gegenwart Der Farbe, Kunsthalle Bielefeld, Germany.
1985
Joseph Marioni, "Gegenwartig-Sein", Günter Umberg Thema Farbe, Städtische Galerie im Städel, Frankfurt, Germany.
Abstract/Issues, 41 West 57th Street, New York, New York, USA.
1984
Radical Painting, Williams College Museum of Art, Williamstown, Massachusetts, USA.
Prasenz Der Farbe, Radical Painting Verein fur Aktuelle Kunst, Oberhausen, Germany.
1982
Color: Four Painters, Oscarsson Hood Gallery, New York, Galerie Nordenhake, Malmo, Sweden.
1981
New Directions, Contemporary American Art, Sidney Janis Gallery, New York, New York, USA.
1980
Color Painting, Cerf Gallery, San Francisco, Californie, USA.
Painting 75, 76, 77, Sarah Lawrence Gallery, Bronxville, New York, USA.
Articles and Reviews
2006
Michael Fried, "Joseph Marioni", Artforum, XLV n°1, September, p. 372.
2004
Vicente Echerri, "Miguel Loredo Constancia de la Luz", El Nuevo Herald, Miami, 6 June.
2003
Barry Schwabsky, "A Benjaminian View of Colour", Contemporary, n° 52, December.
Arden Reed, "Joseph Marioni at Charlotte Jackson", Art in America, n° 11, November.
Reena Jana, "Soho Dealer Adds Chelsea Address", Art + Auction, September.
Tom Cobbe, "Joseph Marioni: new works, Charlotte Jackson Fine Art, Sante Fe", The Art Newspaper, July-August.
Grace Glueck, "Only Red, Please. Yellow, and Blue are not Wanted", The New York Times, 18 April.
Hunter Ingalls, "Ingalls: Paintings neither anything nor tell a story - they just are", Amarillo Globe-News, February 2nd.
Ken Bensinger, "Monochromist Marioni Sells Well", ARTnews, March.
"Joseph Marioni: IRO", Amoanews, Spring.
Chip Chandler,"Red all over", Amarillo Globe-News, Sunday, January 19.
Ken Bensinger, "Marioni Takes Off in the U.S.", ARTnewsletter, January 21.
2002
David Bonetti, "Wide array of talent, price tags at art fair", San Francisco Chronicle - Galleries, Saturday, January 19.
Georg Imdahl, "Musik für Planzenohren", Frankfurter Allgemeine Zeitung, Saturday, February 2, Francfort, Germany.
Edward J. Sozanski, "Three painters get down to the basics of painting", The Philadelphia Inquirer, Friday, March 1st, Philadelphia.
Cate McQuaid, "Monochrome monopoly: Blue, white take the stage", The Boston Globe, Boston, Massachusetts, Friday, March 22.
Adrian Dannatt, "Mono-chrome Paul Rogers/9W", The Art Newspaper, n° 126, June.
CKH, "Mono-chrome Paul Rogers/W, Modern Painters, Special American Issue, automn.
Stephanie Cash, "Report From San Francisco Surviving and Thriving", Art in America, November.
Hunter Ingalls, "AMOA exhibits total opposites", Amarillo Globe News, November 24.
Cate McQuaid, "The Best of 2002", The Boston Sunday Globe, December 29.
2001
David Bonetti, "Showing Off Its Assets", San Francisco Chronicle, March 4.
David Bonetti, "An Emotional Exploration Of Red", San Francisco Chronicle, 8 March.
Jade Afable, "Minimalism: Then and Now", Reviewwest.com, March 15.
Eileen Tabios, "Joseph Marioni "Red Paintings", Reviewwest.com, March 15.
M. Moniot, SF Gate, "Red Paintings", San Francisco Chronicle, April.
Sibylle Omlin, "Tropfsteinhoehle", Neue Zuercher Zeitung, July 4.
Sabine Arlitt, "Zwangsjacke & umarmung", Tages Anzeiger, Zueri-Tipp, No. 27, July 6.
David Bonetti,"ART", San Francisco Chronicle Magazine, Sunday April 1st.
Jb, "Bilder vom Feinsten", St. Galler Nachrichten, December 13.
David Bonetti, "Cover Story: Puryear sculpture impressed critics Joseph Marioni, post-Latin American art exhibitions were exceptional, too", San Francisco .Chronicle, December 30.
2000
Susanna Carlisle, "Joseph Marioni Painter", Critical Reflections, THE, January-February, Santa Fe.
Sabine Müller, "Painters are fundamentally image makers", Kunstforum International, January-February.
Donald Kuspit, "Abstraction on the Ropes?" artnet.com, January 17.
David Bonetti, "Driven to dynamic abstraction", San Francisco Examiner, January 28.
Charles Dee Mitchell, "A captivating coat of not many colors", "Monochromatic paintings draw much attention", The Dallas Morning News, February 5.
Jeff Dalton, "The Tao of Painting: Principles in Monochrome", Artlies, Winter, Dallas, Texas, USA.
Christine Temin, "'Art' and art- thoughts on white matter and its value", The Boston Globe, March 8.
Kenneth Baker, "Millennial Biennial Whitney's showcase expands its borders while also looking inward", San Francisco Chronicle, March 23.
Michael Kimmelman, "A New Whitney Team Makes Its Biennial Pitch", The New York Times, Friday, March 24.
Jeanne C. Wilkinson, "There's a Fly in My Art!", Review, April 1.
Peter Schjeldahl, "Two hundred artists on the Whitney and P.S. 1 shows", The New Yorker, April 3, New York, USA.
Jerry Saltz, "My Sixth Sense", The Village Voice, April 4,Vol. XLV, no. 13.
Michael Brennan, "Painter's Journal", artnet.com, April 27.
Robert Garlitz, "Precise Sadness", tangents, May 5.
Jason Edward Kaufman, "Just Another Biennial", artstar.com, issue 15, May, USA.
Michael Fried, "Commitments", Profession 2000, Chicago, USA.
Dennis Jarrett, "So you want to be an artist?", Santa Fe Reporter, July 19-25.
Raphael Rubinstein, "Regional Hopes & Recycled Tropes", Whitney Biennial & P.S.1's New York Survey, Art in America, July.
Donald Kuspit, "Back to the Old Conceptual Curiosity Shop The Whitney's Biennial 2000", Art New England Online, August/September, USA.
Constance Lewallen, "Minimalism, Then And Now", Look, UC Berkeley Art Museum and Pacific Film Archive.
Georg Imdahl, "Es darf gesammelt werden", Frankfurter Allgemeine Zeitung, November 4.
1999
Grady T. Turner, "Joseph Marioni", ARTnews, March.
Curtis Schieber "State Of The Art", dialogue, March-April, Columbus, Ohio.
Sharon Kokot, "Colors speak for themselves", Review, The Columbus Dispatch, March, Columbus, Ohio, USA.
Highlight, "Marioni to discuss his paintings", German Village Gazette, March 18, Columbus, Ohio, USA.
Aruna Jagtiani, "Marioni's monochromatic work at museum", Review, Suburban News Publications, Dublin News/ Upper Arlington/Gernan Village Gazette, March 24, Columbus, Ohio, USA.
Highlight,"Marioni's monochromes", Visual Arts, The Columbus Dispatch, March 25.
David S. Owen, "Columbus modern art display evokes emotions, thought", The Lantern, April 20, Columbus, Ohio, USA.
Erin Wright, "Art in Italian America", Buon Giorno Magazine, April/May, Columbus,Ohio, USA.
Katherine Gayol, "Joseph Marioni: an Italian-American Painter", Italian-American Art, Buon Giorno Magazine, April/May, Columbus, Ohio, USA.
Sharon Kokot, "One-color wonders", Review, The Columbus Dispatch, May 6, Columbus.
David Bonetti, "Abstraction's remarkable return", San Francisco Examiner, May 7.
Vicki Elliston, "Visions os self-taught artist exhibited", The Columbus Dispatch, May 30, Columbus, Ohio, USA.
Barry Schwabsky, "Colors and Their Names", Art in America, June.
Heidrun Wirth, "Farbe wirkt wie eine Umarmung", Kölnische Rundschau, June 1st.
Sabine Müller, "Diozesanmuseum Auf dem Weg zum korperlichen Bild Joseph Marioni, ein Meister der Farbe", Kolner Stadt-Anzeiger, June 12-13.
Walter Kessler, "Verzicht auf Gegenstandlichkeit", Review, Kirchenzeitung Koln, June 18.
Dave Goldiner, "Tenants fear Loft Law lapse", Daily News, Friday, July 2.
Sabine Müller, "Das Bild atmet, das Bild tanzt", Interview, Kolner Stadt-Anzeiger, July 3/4.
Reinhard Ermen, "Stefan Gritsch: Farb-Korper Joseph Marioni: Farb-Bilder", Kunstforum, July-August.
Janet Tyson, "Visual Art", The Fort Worth Star Telegram, August 8.
Aro., "Kleine Meldungen", Frankurter Allgemeine Zeilung, August 17.
Review, "Joseph Marioni at Charlotte Jackson Fine Art", Art Now Gallery Guide, Southwest, November.
Dennis Jarrett, "Red, How I Love You Red", Review, Santa Fe Reporter Visual Arts, November 3-9.
Lesley Constable, "Silent cousins", Review, The Santa Fe New Mexican, Pasatiempo, November 5.
Ellen Berkovitch, "Marioni's Work Shows Essence of Painting", Journal North, November 20.
William Jeffett,"Interview with Joseph Marioni" ; "Joseph Marioni @ Charlotte Jackson Fine Art", NY Arts, October, vol 4.
Susanna Carlisle, "Joseph Marioni @ Charlotte Jackson Fine Art", Review, NY Arts, October, vol 4.
Review, "Charlotte Jackson Fine Art Exhibits Joseph Marioni Paintings", Antiques And The Arts Weekly, 3 December, Newtown, Connecticut, USA.
Beate Naß, "Farberlebnis KUNST Das Thema "Die Farbe(Rot)hat mich" wird in Hagen ausgebreitet", Süderlaüder Volksfreund, Saturday, December 18, Hagen, Germany.
Sharon Kokot, "Galleries, museums spreading their wings", The Columbus Dispatch, December 26.
1998
Betsy Lawson, "Rose celebrates Marioni's inviting 'waves of color'", The Brandeis Reporter, April 7 - May 4, Waltham, Massachusetts, USA.
Christine Temin,"Emotions unfold in a one-color canvas", The Boston Globe, April 24.
Jeffrey Perrott, "Painting Between Fact and Fiction", artsMEDIA, June.
Review, "Rahmenlose Direktheit", Neue Zurcher Zeitung, July 24.
David Bonetti, "Undercurrents and Overtones", San Francisco Examiner, August 24.
Michael Fried, "Rose Art Museum, Brandeis University", Review, Artforum International, September.
Gabriele Nicol, "Die Verganglichkeit erreicht das Stilleben mit Tomate", Review, Frankfuter Neue Presse, October 13.
Review, "Oliver Art Center/ California Collage Of Arts & Crafts", Art Now Gallery Guide, October.
David Bonetti, "Abstraction is back", Review, San Francisco Examiner, October 22.
Review, The New Yorker, October 26 & November 2.
Ken Johnson, "Art In Review", Review, The New York Times, October 30.
J. Bowyer Bell, "Joseph Marioni", Review, November 1st.
Bourbon, Review, NY Arts Magazine, #26, November.
"Data Under the Influence", New York, November 2.
Karen Wilkin, "At the Galleries", Partisan Review, November.
David Bonetti, "Painting is back, thanks to Pollock", San Francisco Examiner, November 22.
1997
Charles Dee Mitchell, "Joseph Marioni at Peter Blum", Art in America, March.
Donald Kuspit, "Joseph Marioni at Peter Blum", Artforum, March.
Luk Lambrecht, "De zinnelijkheid van verf ", De Morgen, September 12.
Review, "Amerikaans en radicaal", Blaazuit, September, Belgium.
Frank Frangenberg, "In leerer Landschaht", Review, Kölner Stadt-Anzeiger, October 7.
1996
Anne Erfle, "Malerei fur die Sinne Monochromie und Geometrie in der Sammlung Goetz", Kunstforum International, January.
Brigit Sonna, Kunst-Tips, Suddeutsche Zeitung, February 14.
Angela BachMayr, "Geometrische Malerei in strenger Kiste die Privat-Sammlung Goetz", Allgemeine, February 22.
Lucien Kayser, "Un musée particulier- Six artistes: monochromie, geometrie", D'letzeburger Land, February 23.
Gerhard Mack, "Das Unsagbare und die Farbe", St. Galler Tagblatt, 2 March.
Anne Erfle, "Quadratisch, farbig, gut Abstrakte Malerei der Sammlung Goetz", Studdeutsche Zeitung, March 9/10.
Martin Kraft, "Der Portratist der Farben", Tages-Anzeiger, March 9/10, Zurich, Switzerland.
Stuart Servetar, «Art Review - Peter Blum exhibition , New York Press, Vol. 9, no. 19; May 8/14.
Mary Sherman, Art Review, Boston Sunday Herald, June 2.
Cate McQuaid, "Seeing red at Yezerski Joseph Marioni's art is like music to the eyes", The Boston Globe, June 6.
Yoko Shioya, "New York Artists", Page 38, AERA (Asahi Shimbun Extra Report and Analysis), October 14, no. 42.
Dominique Nahas, "Joseph Marioni at Peter Blum", Review Art, November 15.
Carol Diehl, "The Nineties, Finally", Review Art, November 15.
Grace Glueck, "Joseph Marioni at Peter Blum", Art in Review, The New York Times, November 15.
David Ebony's New York Top Ten, "Joseph Marioni at Peter Blum", Artnet magazine, November 20.
Art, "Talent", New York Magazine, November 25.
1995
Guide, Nr. 12/95; March 20-26, Vienna, Austria.
Johanna Hofleitner, "Ausgestellt in Wien", Die Presse, April 7, Vienna, Austria
"Die Fragen der Malerei", Der Standard, April 7, Vienna, Austria.
Brigitte Borchhardt-Birbaumer, "Mannermythen und Traume in Farbe", Wiener Zeitung, April 14.
"Private Icons - Die zentralen Werke von Joseph Marioni zu sehen", Badische Neueste Nachrichten, May 8.
"Kunsthalle zeigt Werke von Joseh Marioni" ; "Erkunden der Grenzen eigener kreativer Mittel", Badische Tagblatt, May 9.
Ulrike Lehmann, "Eine Figur im Echo der Bilder Kunsthalle Baden-Baden: Malerei von Marioni und Alberto Giacometti", Badische Neueste Nachrichten, May 13.
Rainer BraxMayer, "Massive Wirkung: Farben sind spurbar""Von bereinigter Schonheit", Badische Tagblatt,.
Kunst News, Style, February, Triesen, Liechtenstein.
Kurz notiert, Staatsanzeiger für Baden-Wurttemberg, June 6.
Martina Sauer, "Mutiges Konzept: Gegensatze fordern Betrachter heraus", Mittelbadische Presse, June 7.
Hans Rudolf Schneebeli, Review, Kunst-Bulletin, June.
Rolf-Günter Dienst, "Antworten der Farbe", Frankfurter Allgemeine Zeitung, June 22.
Sigrid Feeser, "Begegnung ohne Kompromisse", Rhein-Neckar-Zeitung, June 23, Heidelberg.
Rita Compere, "La Frabrique de Joseph Marioni", Decors, June, Ninove, Belgium
Alexander Puhringer, "Joseph Marioni in der Galerie Nachst St. Stephan", Noema Art Journal, no. 39, Summer.
Amine Haase, "Eine Staate der Nachdenklichkeit", Kölner Stadt-Anzeiger, Nr. 256; November 4/5.
Reinhard Ermen, "Joseph Marioni - Private Icons", Kunstforum International.
Katharina Winnekes, "Museum der Nachdenklichkeit oder die Quadratur des Kreises", Kunst und Kirche, November.
Martin Kraft, "Nichts als Farbe", Tages-Anzieger, November 19, Zurich, Switzerland.
Rainer Metzger, "Gemalte Worte, farbige Gedanken Abstraktion und Einfuhlung; Joseph Marionis Tafelm im Hauptraum der Secession", Der Standard, December 1st, Vienna, Austria.
Judith Lewonig, "Die Farben des Joseph Marioni", Taglich Alles, December 1st, Germany.
Gunther Frohmann, "Im Bann der Monochromie", Salzburger Nachrichten, December 4, Salzburg, Austria.
Kristian Sotriffer, "Zur Einfarbigkeit das Unkraut und Nahgarn", Die Presse, December 16/17, Vienna, Austria.
Vernissage, No. 10/95, Vienna, Austria.
1994
Barry Schwabsky, Studio View, New Art Examiner, February.
Barbara Rose, "Astrattismo Di Ressurrezione Il Nuovo Impregno Degli Astisti Americani", Arte In, Anno VII, no. 34, October, Venise, Italy.
1993
Horst Christoph, "Joseph Marioni malt radikale Bilder, deren inhalt die reine Farbe ist", Profil, April 10, Vienna, Austria.
Kristian Sotriffer, "Prasenz des Materials", Die Presse, April 15, Vienna, Austria
Brigitte Borchhardt-Birbaumer, "Sprache, Rad und Rinnen", Weiner Zeitung, April 22, Vienna, Austria.
Paul Kruntorad, "Wege zur Abstraktion als intellektueller Kraftakt", Der Standard, May 7, Vienna, Austria.
Johanna Hofleitner, "Quadrate auf den ersten Blick: Malerei mit Sex-Appeal", Kurier, May 7, Vienna, Austria.
Catherine Tessmar-Pfohl, "Die Schwerkraft der Farben", Frankfurter Allgemeine Zeitung, May 15.
Horst Christoph, "Bilder uber Bilder "Der zerbrochene Spiegel" stellt die Frage nach dem Stellenwert der Malerei am Ende des 20 Jahrhunderts", Profil, May 17, Vienna, Austria.
Guenther Frohmann, "Gemalt wird wieder, was beliebt Festwochenausstellung "Der zerbrochene Spiegel" im Messepalast und in der Kunsthalle", Salzburger Nachrichten, May 26.
Erwin Melchart, "Die grosse Festwochen-Austellung: "Der zerbrochene Spiegel" Schoener Scherbenhaufen!", Neue Kronen Zeitung, May 26, Vienna, Austria.
Walter Titz, "Die Wahrheit der Bilder Malerei heute. Eine Auswhal. Die Festwochen-Ausstellung "Der zerbrochene Spiegel" ist ein Versuch uber das gegenwartigue Bild des Bildes", Kleine Zeitung, May 26, Graz, Austria.
Heiner Wesemann, "Fragmente der Wirklichkeit", Neues Volkesblatt, May 27, Linz, Austria.
Christian Kravagna, "Der zerbrochene Spiegel "positionen zur Malerei"", Kunstforum International, No. 132.
Hans-Joachim Muller, "Die Kunst aus dem Scherbenhaufen - "Der zerbrochene Spiegel": Eine Bilanz aktueller Malerei als Wiener Festwochen-Ausstellung", Basler Zeitung, June 5.
Gabriele Petricek, "Zeitgenoessische Malerei: Simpel und Volksnah Malerei-Grossschau "Der zerbrochene Siegel" in Wien", Tages-Anzeiger, June 5, Zurich, Switzerland.
Hans-Joachim Mueller, "Der Koerper des Kentauren", Die Zeit, June 11, Vienna, Austria.
Jeannot Simmen, "Kunst im zerbrochenen Spiegel Eine Wiener Ausstellung zeigt Positionen der Malerei", Der Tagesspiegel, June 12.
Carel Blotkamp, "De gebaren van het sfumato", Cultureel Supplement NRC Handelsblad, June 25.
Alfred Nemeczek, "Wien: Der zerbrochene Spiegel Die Malerei noch nicht am Ende", Art Das Kunstmagazin, July 3.
Donald Kuspit, "The Broken Mirror", Artforum, November.
Robert Fleck, "Der zerbrochene Spiegel (Broken Mirror), Positionen zur Malerei", Forum International, Vol. IV, No. 19, October/November, Wetteren, Belgium.
Joseph Marioni, "Fathers and Sisters" (an excerpt), Forum International, Vol. IV, No. 19, October-November, Wetteren, Belgium.
1992
Peter Gorsen, "Im Totentanz der Stile", Frankfurter Allgemeine Zeitung, May 5.
Joseph Marioni, "Socrates and the Alligator; Whose problem are you trying to solve?", Internationales Kunstgesprach der Galerie nächst St. Stephan, January.
Amei Wallach, "The Power of Slow Art", New York Newsday, June 19.
Ann Gibson, "Color and Difference in Abstract Painting: The Ultimate Case of Monochrome", Genders, no. 13, Printemps, University of Texas Press, Austin, Texas, USA.
"Ausstellungen in Basel", Review - Galerie Buchmann, Basler Zeitung, May 30.
Georg Imdahl, "Fliessende Farbe Der Maler Joseph Marioni", Frankfurter Allgemeine Zeitung, June 22.
Luk Lambrecht, "Ultra radical: paint as an end-in-itself ", Forum International, No. 14 September-October.
Justus Jonas, "Ein Maler, ganz und gar", Kölner Stadt-Anzeigeri, November 27.
1991
Reinhard Ermen, "Koln: Joseph Marioni bei Galerie Rolf Ricke", Kunst-Bulletin, January.
Marischa Burckhardt, "Interview mit Joseph Marioni", Kunst-Bulletin, June.
Simon Maurer, "Joseph Marioni in der Galerie Mark Müller, Zürich", Kunst-Bulletin, July/August.
Justus Jonas, "Arnsberg: Joseph Marioni, Erik Saxon, Günter Umberg, Ulrich Wellmann im Kunstverein", Kunst-Bulletin, November.
1990
Walter Vitt, der "Raum fur Malerei", Nike - New Art in Europe No. 32, April, Munich, Germany.
Andrew Decker, "Kirk Varnedoe 'What's He Done'", Village Voice, October 16, New York, USA.
Frau Dr. Susanne Henle, "Engagierte Kontinuitat", Frankfurter Allgemeine Zeitung, November 24.
Ralf Dank, "Ricke zeigt neue Bildtafeln Joseph Marioni", Kölner Stadt-Anzeiger, December 12.
1989
Marcia Hafif, "True Colors", Art in America, June.
Rene DeBanterle, "La Peinture Radicale", Art and Culture, Bruxelles, Belgium.
Dirk Pultan, "Joseph Marioni Een schilder in meest zuivere betekenis van het woord", Degentenaar, September 29, Aalst, Belgium.
Luk Lambracht, "Sensaties", Knack Weekend, September 20, Bruxelles, Belgium
1988
Astrid Optiz, "Fur Marioni sind seine Bilder Inszenierungen einer Farbe", Westdeutsch Zeitung, February 20, Mönchengladbach, Germany.
Amine Haase, "Hier wird die Farbe zur Personlichkeit", Kölner Stadt-Anzeiger, March 17.
Amine Haase, "Mark Rothko/Joseph Marioni from the Sublime to the Actual", Kunstforum International, April/May.
Denis-Laurent Bouyer Joseph Marioni "Un Americain a Mönchengladbach", Sans Titre, Bulletin d'art Comtemporain, April/May/June, Lille, France.
Reinhard Ermen, "Joseph Marioni in the Museum Abteiberg, Mönchengladbach mit den Augen lauschen", Nike - New Art in Europe No. 23, May/June, Munich, Germany.
Jessica Mueller, "Joseph Marioni - Malerei", Das Kunstwerk, Zeitschrift fur Modern Kunst, 3XLI, August.
Rene DeBanterle, "Radical Painting, Une condition de la peinture", Arte Factum, June/August.
Amine Haase, "La Couleur seule - L'experience du monochrome", Kunstforum International, November/December.
1987
Wolfgang Max Faust, "Der zweite Blick", Wilkenkratzer Art Journal , Germany
Reinhard Ermen, "Fortsetzung der Theorie mit anderen Mittlen", Kunst Koln.
Henry Staten, "Joseph Marioni - Painting Beyond Narrative" ; Joseph Marioni, "Der Ursprungliche Ort der Malerei", Kunstforum International, March/April.
Ralf Dank, "Die Farbe ist die Form", Kölner Stadt-Anzeiger, June 16.
1986
Susanne Kreitz, "Diskussion uber Heftige und Radikale Malerei im Spiegelsaal" ; "Lebhaftem Interesse Nicht Gewachen", Kölner Stadt-Anzeiger (Nr. 95/LE/WU14).
Thomas Wulffen, "Malerei als Solche", Zitty, November, Berlin, Germany.
Günter Umberg/Joseph Marioni, "Radical Painting - Outside the Cartouche", Nike - New Art in Europe No. 12, March/April, Munich, Germany.
Heinz Ohff, "Farbe und Strukturen", Der Tagesspiegel (Nr. 12358), May 22.
Reinhard Ermen, "Der subjektive Faktor" ; "Ein Portrat des Kunstsammlers Per Mattsson", Nike - New Art in Europe No. 13, Munich, Germany.
Amine Hasse, "Moglichkeiten der Erfahrung", Kölner Stadt-Anzeiger, September 6.
Amine Haase, "Meisterwerke von einst setzen wieder Mastasse", Kölner Stadt-Anzeiger, November 13.
Mathias Schreiber, "Eingezaunter Furor", Frankfurter Allgemeine Zeitung, November 15.
Reinhard Ermen, Review - Girke, Marioni, Mosset, Thursz, Umberg, Nike - New Art in Europe No. 15, Munich, Germany.
Michael Hubl, "Die neue Lieve zur Geometrie", Kunstforum International, November/December.
1985
S.D. Sauerbier, "Uber Farbe. Uber Malerei" ; "Zur Gegenwart unt Entwicklung eines Sujets", Kunstzeitschrift, March.
Amine Haase, "das Sehen von Farbe, das Erleben von Malerei", Kunst-Bulletin 7/8, July/August.
1984
T.F. Lazarowitz, "Les Travaux Recents de Joseph Marioni","Quels Yeux?", Artistesi, No. 21, Revue d'art contemporain, Paris, France.
Lilly Wei, "Radical Painting", Artistes, Revue d'art contemporain, Hors Serie No. 1, Paris, France.
Amine Haase, "Der Raum gerat in Schwingen", "Wege und Moglichkeiten der Malerei", Kölner Stadt-Anzeiger, August 21.
Jorg Loskill, "Verein fur Aktuelle Kunst: Hymnen auf die Farbe", Ortszeit-Ruhr, October, Essen, Germany.
Heiner Stachelhaus, "Rude Halle - Reine Malerei", N.R.Z. No. 256, October 31, Essen, Germany.
Volker A. Nenzel, "Dunkle Untertone", Kölner Stadt-Anzeiger, December 14.
1983
Grace Glueck, "Expressionism Meets Minimalism", The New York Times, February 18.
Stephen Westfall, "Paint as Image", ARTS Magazine, May.
Richard Armstrong, "New Abstraction", New York Review, Artforum, May.
Stephen Westfall, "New Abstraction", ARTS Magazine, June.
Rupert Walser, Neue Kunst In Munchen, February/March.
1982
Ann Schoenfeld, "Monochrome Met", ARTS Magazine, March.
Michele Meyers, "Color - Four Painters", Flash Art, February.
Gerrit Henry, "Color - Four Painters", Artnews, New York Reviews, April.
Leonard Bell, "Stephen Bambury's Color Paintings", Art New Zealand #23, automne, Auckland, Nouvelle-Zélande.
Amine Haase, "Raum für Malerei", Privatinitiative für Malerei in Koln, Kölner Stadt-Anzeiger, October 28.
1981
Thomas Albright, "Anniversary Show of Tuna Fish Casseroles", San Francisco Chronicle, January 5.
Review - Thomas Albright, San Francisco Chronicle, February 5, USA.
Marcia Hafif, "Getting on with Painting", Art in America, April.
1980
Suzaan Boettger, "Painting - Made Simple or Simplistic", Artweek, April 5, San Francisco, Californie.
Hilton Kramer, "Seven Young Americans", The New York Times, April 18.
Kay Larson, New York Reviews, The Village Voice, April 28.
1979
Asa Berntsson, Art Review, Sydfvenska Dagbladet, November 14, Malmo, Suède
"Monochrome in New York", Dialogue Between 7 Artists, Flash Art, No. 92-93, October/November.
1974
Charlotte Moser, Review, Houston Chronicle, September 23.
1973
Peter Schjeldahl, Review, The New York Times, July 8.
Peter Frank, "New Talent", Artnews, September.
